Monday, 25 January 2016

Discussion - Fees and Pricing in Commissions/Prints

Price and fees are one of the things that I’m currently struggle with to get a grasp of, as I have not really sold prints, nor taking in commissions to produce work for customers/clients. In this session we discuss the topic of pricing commissions, which I do want to hear about as it will definitely give me an insight to help my understandings and knowledge for pricing artworks and to look into different areas of commissions such as book covers, magazine covers, posters, in-book illustrations, etc.

I find that a lot of the pricing for commissions varies a lot and that there are many factors that contributes it, such as deadline, working for national or international papers, companies and authors. Being commissioned by a large company with a high reputation would of course pay you more, whilst you would be paid less from a small business that is in the minority. A few hundred pounds for a commission seems alright to me, though there are those that can hit the £1000s bracket where a lot of artists wished to be paid for, and some of these I find are ridiculous amounts where it could equate to a year’s worth of salary. Like I said, this comes down from how big or famous the company or person that is commissioning you.

An in depth analysis to all the different types of commission work and their pricing had me thinking how much should I sell my work to customers. There will be a time where I would be out there selling my illustrations for exposure and gathering an audience/followers, and naming my prices can be difficult. Making your prints expensive can make people pass, while making them cheap will draw attention, but at the same time you won’t be making enough unless it was to be sold at a mass quantity in a short period of time to the consumers. I would want to name my prices for my prints at a fair amount, not too expensive, yet not too cheap, but as of now I’m not an established artist, just someone within the minority, I will just put the prices at a fair range, depending on the quality of the image.

The session has taught me to see what income illustrators/artists make for a living and it made me realise that there’s not really a fixed figure for a yearly salary, considering that artists work on many different projects over the years with different pays and contracts, so there could be a year where you would earn more than the usual, and there could be a year where you earned less, which is not far from the truth for all illustrators whose yearly salary are different over the years of profession. 

Sunday, 24 January 2016

Talks and Discussion on FMP with 3rd Years

In this session it was mostly focused on the introduction to the FMP in the 3rd Year and we all get to have an insight to what the current 3rd Years have been doing for their projects. As groups we rotate to each 3rd year who volunteered to discuss and present what they are currently doing, each offering their own perspectives, ideas and approach to their interests and potential outcomes.

There was a diversity of different approaches to their project, where many pursued their own personal interests while others go down the route relating towards the commercial/graphical aspect, and it was interesting to hear their own take and what they had done so far to advance their FMP.

It was a good session to hear what the 3rd years are currently doing in order for us to be aware of the situation when the time comes for me and fellow classmates to be in their shoes next year. While it is early to say what we want to do for 3rd year, I do know what I wanted to do and to pursue, so between now and then will be the time of preparation to gather and to look into what I want to do in the 3rd year. I will be following and to continue my pursuit of my personal interests in digital illustration for my FMP.